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does pete townshend still play with the who

[108] In March 2019 it was announced that a work entitled The Age of Anxiety would be published as a novel, with an opera to follow.[109]. The Who were renowned as a very loud band in their live performances; some particular incidents include a Who concert at the Charlton Athletic Football Club, London, on 31 May 1976 that was listed as the "Loudest Concert Ever" by the Guinness Book of Records, where the volume level was measured at 126 decibels 32 metres from the stage. Similarly, when Jimmy Page was asked about the development of guitar feedback, he said: I don't know who really did feedback first; it just sort of happened. During the Who's 1989 Tour Townshend played a Rickenbacker guitar that was ironically smashed accidentally when he tripped over it. He plays on his own solo albums, several Who albums, and as a guest contributor to an array of other artists' recordings. The earliest public example of Townshend's involvement with charitable causes was in 1968, when Townshend donated the use of his former Wardour Street apartment to the Meher Baba Association. Sunday Sesh: New Music from Fatboy Slim + More! [41] A follow-up single ("Anyway, Anyhow, Anywhere"), credited to both Townshend and Daltrey, also reached the top 10 in the UK. Two early 1979 concerts by the Who raised £20,000 for Patterson's Pharmakon Clinic in Sussex. [109], In 1967 Townshend had begun to explore spirituality. [12] He enjoyed his family's frequent excursions to the seaside and the Isle of Man. He has complicated feelings about his history with his old bandmates, but as he wrote on Facebook, that doesn’t mean he doesn’t miss or love them. In 1961 while in art school, Townshend joined the Young Communist League and was a prominent figure in their 1966 "Trend" recruitment campaign. Notable artists and designers gave lectures at the college such as auto-destructive art pioneer Gustav Metzger. In October 2006 the Who released their first album in 24 years, Endless Wire. "Destruction is art when set to music. The Who guitarist Pete Townshend used to smash guitars carefully so they could be pieced back together after the gig, his bandmate has … 15 Jan. Pete's gold Strat has been won! In Love With Meher Baba described Townshend's spiritual leanings. For much of the 1970s, he used a Gibson Les Paul Deluxe, some with only two mini-humbucker pick-ups and others modified with a third pick-up in the "middle position" (a DiMarzio Superdistortion / Dual Sound). Based in Los Angeles, he is an entertainment journalist who's previously written for Thrillist, Slash Film, Film School Rejects, and The Film Stage. ", "Talkin' 'bout my National Trust generation", "HuffPost is now a part of Verizon Media", "Orlando Sentinel - We are currently unavailable in your region", "Pete Townshend put on sex offenders register", "Pete Townshend says court 'would have destroyed me, "Pete Townshend book describes 'insane' attempt to expose internet child abuse", "Pete Townshend: I paid for child porn to prove British banks were channelling sex-ring cash", "Flashback: Watch the Who Blow Up 'Smothers Brothers' in Primetime", "The Who's Future Uncertain as Townshend's Tinnitus Returns", "Pete Townshend Says Don't Be 'Fooled' By Michael Moore", "The Hypertext Who › Article Archive › Penthouse Interview (1974)", "The Who Guitarist Says He Is A Neoconservative", "The Who on a new album, ageing and artistic differences", "Pete Townshend Smashes Guitar... for Charity", "The Who launch teen cancer program at LA hospital", "Something in the Air by Thunderclap Newman Songfacts", "Bruce Springsteen to Honor Pete Townshend for Addiction Charity Work", "Golden Plate Awardees of the American Academy of Achievement", Pete Townshend's commercial Eelpie web site, My Generation / The Who Sings My Generation, The Who & Special Guests: Live at the Royal Albert Hall, 2001 The Concert for New York City appearance, https://en.wikipedia.org/w/index.php?title=Pete_Townshend&oldid=999709639, Grammy Lifetime Achievement Award winners, People educated at Acton County Grammar School, Articles with dead external links from June 2016, Articles with dead external links from December 2012, Short description is different from Wikidata, BLP articles lacking sources from July 2012, Articles with self-published sources from February 2020, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, "Lonely at the Top" and "Hard Women" with, This page was last edited on 11 January 2021, at 15:28. [55] Despite the success of "I Can See for Miles", which reached No. The upside with Keith and John was that on tour and in the studio we had so much fun. During the initial days of the Detours, the repertoires of the band comprised of instrumentals … The Who were the final performers at the 2012 Summer Olympics closing ceremony in London, performing a medley of "Baba O'Riley", "See Me, Feel Me" and "My Generation". On 2 September 2017 in Lenox, Massachusetts, Pete Townshend embarked with fellow singer and musician Billy Idol, tenor Alfie Boe and an orchestra on a short (5-date) "Classic Quadrophenia" US tour which ended on 16 September 2017 in Los Angeles, California. During the 1980s, Townshend mainly used Fenders, Rickenbackers and Telecaster-style models built for him by Schecter and various other luthiers. [53] Released in December, their next album was The Who Sell Out—a concept album based on pirate radio, which had been instrumental in raising the Who's popularity. [33] The Detours became aware of a group of the same name in February 1964, forcing them to change their name. 2 in the UK and US. Townshend also got the chance to play with his hero Hank Marvin for Paul McCartney's "Rockestra" sessions, along with other rock musicians such as David Gilmour, John Bonham and Ronnie Lane. [84], Many rock guitarists have cited Townshend as an influence, among them Slash,[85] Alex Lifeson[86] and Steve Jones. He made his 105 million dollar fortune with the Who. The album was subsequently titled A Quick One[47] and reached No. True greatness doesn’t age. Through much of 2005, Pete Townshend recorded and performed alongside his girlfriend Rachel Fuller, a classically trained pianist and singer-songwriter. Townshend sat on a committee which oversaw the operation and finances of the centre. [104] On 24 January 2012 Townshend sold the rights to all of his back catalog and much of his future work including Floss The Musical if it is ever completed. Headline: ‘Pete Townshend says “thanks God” Moon, John Entwistle are dead; they were fucking difficult to play with”’. I was confronting my audience with the awful, visceral sound of what we all knew was the single absolute of our frail existence—one day an aeroplane would carry the bomb that would destroy us all in a flash. Townshend published a semi-autobiographical story The Boy Who Heard Music as a serial on a blog beginning in September 2005. Townshend was the first to break his guitar, and he was the first to do a lot of things. The band is regarded by many rock critics as one of the best[78][79] live bands[80][81] from the 1960s to the 2000s. Townshend also personally sold fund-raising anti-heroin T-shirts at a series of UK Bruce Springsteen concerts and reportedly financed a trip for former Clash drummer Topper Headon to undergo drug rehabilitation treatment. It was a riot. It has perhaps bizarrely played some part in their longevity and … [14] At the time, he did not see himself pursuing a career as a professional musician; instead, he wanted to become a journalist. I am giving away one of my gold Fender Stratocasters to benefit the UK music industry. [39] The on-stage destruction of instruments soon became a regular part of the Who's live shows. Other performers inspired to support Amnesty International in future Secret Policeman's Ball shows and other benefits because of Townshend's early commitment to the organisation include Peter Gabriel, Bruce Springsteen, David Gilmour and U2's lead singer Bono who in 1986 told Rolling Stone magazine: "I saw The Secret Policeman's Ball and it became a part of me. [66], Townshend began writing songs for another rock opera in 1973. Cliff Townshend was often away from his family touring with his band while Betty carried on affairs with other men. [146] An article by investigative reporter Duncan Campbell that was published in PC Pro magazine revealed that police had no evidence that the website accessed by Townshend involved children and nothing incriminating was found on his personal computer. “They were fucking difficult to play with,” he continued. Further examples of Townshend's drug rehabilitation activism took place in the form of a 1984 benefit concert (incidentally the first live performance of Manchester band the Stone Roses), an article he wrote a few days later for Britain's Mail on Sunday urging better care for the nation's growing number of drug addicts, and the formation of a charitable organisation, Double-O Charities, to raise funds for the causes he'd recently championed. 10 Jan. David Bowie: Five Years. It was a moderate success and featured demos of Who songs as well as a showcase of his acoustic guitar talents. Between 1969 and 1971 Townshend, along with other devotees to Meher Baba, recorded a trio of albums devoted to his teachings: Happy Birthday, I Am, and With Love. Alan Rogan is a vital link in Townshend’s chain, too; he’s been Pete’s tech for many years, and … In the late 1960s, Townshend began playing Gibson SG Special models almost exclusively. Pop Mezzo … As an instrumentalist, although known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums. He collaborated with the Faces' bassist and fellow Meher Baba devotee Ronnie Lane on a duet album (1977's Rough Mix). Now, Townshend said he was joking about the “thank God” part, but joke or not, it’s a deeply cold remark that doesn’t sound all that out of place in the rest of the Rolling Stone story. Townshend revisited album-length storytelling throughout his career and remains associated with the rock opera form. Over the years, Townshend has used many types of amplifier, including Vox,[122] Selmer, Fender, Marshall, and Hiwatt, sticking to using Hiwatt amps for most of four decades. But not being that good a guitarist, he used to just sort of crash chords and let the guitar feedback. Grief doesn’t always sound nice, after all. The song and its famous line "I hope I die before I get old" was "very much about trying to find a place in society", Townshend stated in an interview with David Fricke. Singer Roger Daltrey and guitarist/songwriter Pete Townshend, now in their 70s, will take the stage in May as part of The Who’s current six-member lineup and backed by an orchestra to play … The new bass player then suggested Townshend join as an additional guitarist. The novel will be accompanied by an opera, which is currently in development, with an art installation to follow. I can be grateful to be free as a player and writer, but sad about losing old friends. Since 1989, his rig consisted of four Fender Vibro-King stacks and a Hiwatt head driving two custom made 2×12" Hiwatt/Mesa Boogie speaker cabinets. [157], Townshend had been invited to perform for Amnesty by Martin Lewis, the producer of The Secret Policeman's Ball, who stated later that Townshend's participation had been the key to his securing the subsequent participation for Amnesty (in the 1981 sequel show) of Sting, Eric Clapton, Jeff Beck, Phil Collins and Bob Geldof. (The Who had none. They have put out few albums the last 30 years, but for the first time in 13 years, they’re about to release a new album, simply titled “Who.”. The two-year separation ended when Cliff and Betty purchased a house together on Woodgrange Avenue in middle-class Acton, and the young Pete was happily reunited with his parents. After a lengthy delay, Townshend's autobiography, now titled Who I Am, was released 8 October 2012. Townshend's 1985–86 band, Deep End, played two benefits at Brixton Academy in 1985 for Double-O Charities. Most recently, Townshend shared an opinion, or in his words, “a joke” that put a bad taste in the mouth of long-time fans of The Who. He also owns a house in Churt, Surrey, and in 2010 purchased a lease of part of the National Trust property Ashdown House in Oxfordshire. He has always regarded his instruments as being merely tools of the trade[124] and has, in latter years, kept his most prized instruments well away from the concert stage. While the Who were playing, Yippie leader Abbie Hoffman jumped the stage to complain about the arrest of John Sinclair. You can play something slowly and you press a switch and it plays it back at double speed. He currently owns three systems, one large Synclavier 9600 Tapeless Studio system, originally installed in his riverside Oceanic Studio, later transferred to a seagoing barge moored alongside the studio on the River Thames, and currently based in his home studio. Townshend is one of the key figures in the development of feedback in rock guitar. We're finished. [28] In the early days of the Detours, the band's repertoire consisted of instrumentals by the Shadows and the Ventures, as well as pop and trad jazz covers. In 2005, Townshend performed at New York's Gotham Hall for Samsung's Four Seasons of Hope, an annual children's charity fundraiser. The commercially available video of the Kampuchea concert shows the two rock icons duelling and clowning[91] through Rockestra mega-band versions of "Lucille," "Let It Be" and the "Rockestra Theme"; Townshend closes the proceedings with a characteristic split-legged leap.[92]. I only hope that they know me well enough that I tell the truth as much as I can, but I also tell both sides and the upside is missing in the headlines. On the album notes, they are listed as "Tommy and the Bijoux". He has also used Guild, Takamine and Gibson J-200 acoustic models, with the J-200 providing his signature recorded acoustic sound in such songs as "Pinball Wizard".[114]. He also uses a special adapted smaller Synclavier 3200 system which can be transported, enabling him to carry on working away from his main studio. He is co-founder, leader, principal songwriter, guitarist and secondary lead vocalist of the Who, one of the most influential rock bands of the 1960's and 1970's.[2][3]. This website was in collaboration with composer Lawrence Ball and software developer David Snowden, with instrumentation by Steve Hills. Many studio recordings also feature Townshend on piano or keyboards, though keyboard-heavy tracks increasingly featured guest artists in the studio, such as Nicky Hopkins, John Bundrick or Chris Stainton.[82]. Win Pete Townshend’s Gold Fender Stratocaster! [24] Lacking the requisite test scores to attend university, Pete was faced with the decision of art school, music school, or getting a job. Pete Townshend has debunked a common myth surrounding his 1965 My Generation single. This was said as part of an interview in response to a series of questions about Who history, the early days and how it is today. To those family members of Keith and John, especially Chris Entwistle and Mandy Moon, I apologise for the headlines – and for carelessly providing the words that were used – but in the past three months I have done so many interviews I am losing focus and patience. It was only later … The SG was clearly marked as a Pete Townshend limited edition model and came with a special case and certificate of authenticity, signed by Townshend himself. "We advanced a new concept", he writes. "Meaty, Beaty, Big and Bouncy", a blow-by-blow account of the Who compilation album of the same name, followed in December 1971. [113] He was also strongly influenced by cellist Malcolm Cecil, who often damaged his cello during performances, along with Gustav Metzger, pioneer of auto-destructive art. Townshend's solo breakthrough, following the death of Who drummer Keith Moon, was the 1980 release Empty Glass, which included a top-10 single, "Let My Love Open the Door" and "Rough Boys". Townshend's acoustic performances of three of his songs ("Pinball Wizard", "Drowned", and "Won't Get Fooled Again") were subsequently cited as forerunners and inspiration for the "unplugged" phenomenon in the 1990s. To this day, they don’t record in a studio together and sometimes don’t even stay in the same hotel when they’re on the road. He’s still angry and saddened by their deaths, and sometimes, he doesn’t express his sadness properly. I understand that a lot of long-time Who fans will be hurt by the way it comes across as a headline. And now Pete Townshend has claimed that his numerous feuds with The Who bandmate Roger Daltrey may have been prevented if the latter had not married American model Heather Taylor in 1971. [44], To capitalise on their recent single success, the Who's debut album My Generation (The Who Sings My Generation in the US) was released in late 1965, containing original material written by Townshend and several James Brown covers that Daltrey favoured. These instruments include a few vintage and reissue Rickenbackers, the Gretsch 6120, an original 1952 Fender Telecaster,[125] Gibson Custom Shop's artist limited edition reissues of Townshend's Les Paul DeLuxe models 1, 3 and 9 as well his signature SG Special reissue. [73][74] Townshend was nominated for an Academy Award for scoring and adapting the music in the film. 1 in the UK and No. When asked who first used feedback, Deep Purple guitarist Ritchie Blackmore said: Pete Townshend was definitely the first. Over the last few years, the still touring and crushing bandmates have had an unpopular opinion or two, like Daltry’s vocal support of Brexit. He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs. "[110] Townshend notes that growing up in this period produced the narrative that runs through his music of a boy lost in the stresses and pressures of postwar life. He came from a musical family: his father, Cliff Townshend, was a professional alto saxophonist in the Royal Air Force's dance band the Squadronaires and his mother, Betty (née Dennis), was a singer with the Sydney Torch and Les Douglass Orchestras. [112], Although he grew up in a household with jazz musicians, Townshend absorbed many of his ideas about performance and rock music themes during art school. The Story of Tommy, a book written by Townshend and his art school friend Richard Barnes (now the Who's official biographer) about the writing of Townshend's 1969 rock opera and the making of the 1975 Ken Russell-directed film, was published by Eel Pie the same year. The Who’s Pete Townshend still rocking — and as blunt as ever By ... They’ll also play at Jones Beach on Sept. 15. One of the cabinets had half of the speaker baffle slanted upwards and Marshall made these two cabinets stackable. I do thank God for this, but I was being ironic in my own English way by suggesting it is something I am glad about. Daltry and Townshend are still a sight to behold together, and the classic songs remain the same. Published in Entertainment, Music, Music Spotlight and Spotlight. With rehearsals still three or so weeks away, Pete Townshend laughs as he says "I don't know what the fuck is going to happen" when the … After bringing out one failed single ("I'm the Face/Zoot Suit"), they dropped Meaden and were signed on by two new managers, Chris Stamp and Kit Lambert, who had paired up with the intention of finding new talent and creating a documentary about them. At Ealing, Townshend studied alongside future Rolling Stones guitarist Ronnie Wood. It became a commercial smash, reaching number one in the UK, and spawned two successful hit singles, "Baba O'Riley" and "Won't Get Fooled Again", that featured pioneering use of the synthesizer. The Met stated that "it was established that Mr Townshend was not in possession of any downloaded child abuse images". In 1993, Townshend authored another book, The Who's Tommy, a chronicle of the development of the award-winning Broadway version of his rock opera. The following year, the association was moved to another Townshend-owned apartment, the Eccleston Square former residence of his wife Karen. There are several Gibson Pete Townshend signature guitars, such as the Pete Townshend SG, the Pete Townshend J-200, and three different Pete Townshend Les Paul Deluxes. The third article, "The Punk Meets the Godmother", appeared in November 1977. I think my musical discipline, my musical efficiency as a rhythm player, held the band together.”. No one can ever know how much I miss Keith and John, as people, as friends and as musicians. Pianist Andy Newman (an old art school friend), drummer John "Speedy" Keen (who had written "Armenia City in the Sky" for the Who to record for their 1967 album The Who Sell Out) and teenage guitarist Jimmy McCulloch (later to join Wings). "[139] Townshend later wrote in his 2012 autobiography Who I Am that he is "probably bisexual". [93] In 1993 he and Des McAnuff wrote and directed the Broadway adaptation of the Who album Tommy, as well as a less successful stage musical based on his solo album The Iron Man, based upon the book by Ted Hughes. Two years after joining Faber and Faber, Townshend decided to publish a book of his own. Townshend currently lives at The Wick, Richmond, London, England. The Who's Pete Townshend has revealed that Roger Daltrey was not a fan of the new songs that were written for the new Who album when he first sent them to him. Townshend has also recorded several concert albums, including one featuring a supergroup he assembled called Deep End, with David Gilmour on guitar, who performed just three concerts and a television show session for The Tube, to raise money for his Double-O charity, supporting drug addicts. The new bass player then suggested Townshend join as an additional guitarist. [94][95], From the mid-1990s through the present, Townshend has participated in a series of tours with the surviving members of the Who, including a 2002 tour that continued despite Entwistle's death.[96]. [88], Townshend made several solo appearances during the 1970s, two of which were captured on record: Eric Clapton's Rainbow Concert[89] in January 1973 (which Pete organized to revive Clapton's career after the latter's heroin addiction),[90] and the Paul McCartney-sponsored Concerts for the People of Kampuchea in December 1979. (Hearing Education and Awareness for Rockers). Townshend’s remarks are a real disappointment to fans and, most likely, the family members of Moon and Entwistle. [116] On the Who's The Smothers Brothers Comedy Hour appearance in 1967, Townshend used a Vox Cheetah guitar,[117] which he only used for that performance; the guitar was destroyed by Townshend and Moon's drum explosion. At about this time, Townshend, who had been searching the past two years for a basis for a rock opera, created a story inspired by the teachings of Baba and other writings and expressing the enlightenment he believed that he had received from them, which ultimately became Tommy. As a guitar player I never learned to shred because there was never any space for it. [64] Much of the material for Lifehouse was released as a traditional studio album, Who's Next. THE Who's Pete Townshend has said his child abuse pics arrest saved his life - as it led him to discover he had bowel cancer. But I am sincerely grateful to have had these second and third incarnations as a member of what we still dare to call The Who – once after Keith passed, then again after John passed. While recording Face Dances and the collaborative album Rough Mix, Townshend made use of a Peavey Vintage 4×10 amplifier in the studio. Townshend also produced "Fire" by the Crazy World of Arthur Brown in 1968 that was No. Since the late-1980s, Townshend has used the Fender Eric Clapton Signature Stratocaster, with Lace Sensor pick-ups,[117] both in the studio and on tour. According to Townshend, postwar trauma was the driving force behind the rock music revolution in the UK. [137], In a 1989 interview with radio host Timothy White, Townshend apparently acknowledged his bisexuality, referencing the song "Rough Boys" on his 1980 album, Empty Glass. [143][144] Townshend initially claimed that he accessed the images as research in a campaign against child sexual abuse;[145] in 2012, he wrote in his autobiography, Who I Am, that he had accessed the illegal images to prove that British banks were complicit in channelling the profits from pedophile rings. These were too heavy to move easily, so Jim Marshall cut the massive speaker cabinet in half, at the suggestion of Townshend, with each cabinet containing four 12-inch speakers. Townshend also embarked on a project dedicated to the collection, restoration and maintenance of Meher Baba-related films. Captain Walker age: 25–35, Tommy's guilty father. [7][8], Townshend was born in Chiswick, west London at the Chiswick Hospital, Netheravon Road. The tapes malfunctioned during a performance in Newcastle, prompting Townshend to drag soundman Bob Pridden onstage, scream at him and kick over all the amplifiers, partially destroying the malfunctioning tapes. [69] NME reviewer Charles Shaar Murray called it "prime cut Who" and "the most rewarding musical experience of the year. The 74-year-old rocker told how his bandmate is a “difficult” person to write for, but that what they have finally produced has filled him with excitement. FOR A veteran of goodness knows how many hit albums, worldwide tours and more than half a century in the music business, Pete Townshend has a surprising admission. When asked by Rolling Stone, he replied he “thanks God” they’re no longer playing with the band, before going on to pat himself on the back. This 3200 system was modified to be of similar specification to the 9600, including the addition internally of FM voices, stereo Poly voices and with the large VPK keyboard. In a 1974 Penthouse interview he stated that he recognised in practice he was a capitalist who was rewarded well for his work, but that his ideals were communist. Dubbed Lifehouse, it was designed to be a multi-media project that symbolised the relationship between a musician and his audience. He posted a chapter each week until it was completed, and novella was available to read at his website for several months. I loved their dads and still do. The "large clinic" Townshend was referring to was a plan he and drug rehabilitation experimenter Meg Patterson had devised to open a drug treatment facility in London; however, the plan failed to come to fruition. He also used the Gibson ES-335, one of which he donated to the Hard Rock Cafe. 1 Jan. Townshend was featured in ARP promotional materials in the early 1970s.[128]. A further limited release, With Love, was released in 1976. Roger lost his rag at a press conference at Wembley about Brexit. He can be seen using several of these guitars in the documentary The Kids Are Alright, although in the studio he often played a '59 Gretsch 6120 guitar (given to him by Joe Walsh),[117] most notably on the albums Who's Next and Quadrophenia.[118]. [132], In interviews Townshend was more open about his beliefs, penning an article on Baba for Rolling Stone magazine in 1970 and stating that following Baba's teachings, he was opposed to the use of all psychedelic drugs, making him one of the first rock stars with counterculture credibility to turn against their use. [36] The band was soon taken on by a mod publicist named Peter Meaden who convinced them to change their name to the High Numbers to give the band more of a mod feel. Guitarist Pete, 74, admitted using his credit card to … [34] Townshend's roommate Richard Barnes came up with "The Who", and Daltrey decided it was the best choice. [129] The book ranked in the top 5 of The New York Times best seller list in October 2012. Townshend has written several scripts spanning the breadth of his career, including numerous drafts of his elusive Lifehouse project, the last of which, co-written with radio playwright Jeff Young, was published in 1999. On Who's Next, he began to work with analogue synthesizers, using the ARP 2600 model that he first encountered at Cambridge University. Known for his scathing retorts and a glaring eye, Townshend quickly earned himself a reputation as the aggressive … [57] He began to develop a musical piece about a deaf, dumb, and blind boy who would experience sensations musically. “I’m really excited to be involved with the #ILoveLive prize draw which launches today to raise vital funds for all the unsung heroes who work behind the scenes in the live music industry. 3 in Dave Marsh's 1994 list of Best Guitarists in The New Book of Rock Lists. [100] That album, simply titled Who, was released on December 6, 2019. 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